Notes from the Narrator...

Yesterday we had our band call, and last night I was listening to the recordings, over and over again. And then I had to stop and take a moment to breathe. This is really happening.

It's been a long time since I wrote a blog post from my own, personal point of view as a cast member - it hasn't happened since 2015, in fact, when we did Aladdin. 

But today, for this particular show, I'm making an exception.

Joseph has been one of my favourite musicals since I was eight years old and performed it at Brighstone Primary School. Back then, I was a sheaf of corn, a member of Potiphar's household and one of the Narrator's backing singers. I remember it so vividly, right down to the dance moves - in fact, I could probably still perform those routines now!

And I remember watching the Narrator and memorising every single one of their lines, desperately hoping that one day I'd have the chance to play the role.

Who'd have thought that a dream that started when I was eight years old would come to fruition eighteen years later?

I certainly didn't!

But then again, isn't Joseph all about dreams coming true?

So who is the Narrator? What is she? Why does she exist?

The Narrator is a strange part, and a challenging one, largely because she doesn't leave the stage for the duration of the show and there are few numbers in which she doesn't sing - four, to be exact.

She's removed from the story, but at the same time is very much a part of it, interacting with every single character and weaving her way through the plot, acting as a story-teller, instigator, adviser, friend and conscience all in one.

She introduces, she engineers, she antagonises, she influences - in short, she doesn't stop!

It's story-telling with a difference, and I love it. There's something to be said for telling a story through song, and what a privilege it is to be able to tell such a wonderful story as Joseph.

The Narrator's songs aren't the big hits, they're not the iconic numbers of Joseph or the globe-trotting songs of the Brothers...

In fact, with the exception of  'Prologue' and 'Pharaoh Story', she doesn't really have songs at all!

Hers are the little riffs you hum as you leave the theatre; the single lines you can't get out of your head for days on end, the split-second moments you remember even if you can't recall what came before or after!

She's there from the start of Joseph's journey to the end of it...which is really rather apt.

The Joseph journey, for me, began in January 2015, when I began looking into the possibility of performing Joseph and the Amazing Technicolor Dreamcoat - now, nineteen months on and less than a week from curtain up, I can hardly believe it's really happening.

Some days, I legitimately have to pinch myself. And if you glance at me during the very first rendition of 'Any Dream Will Do', you will see me welling up every time, without fail.

Because this, to me, is perfect.

How can it not be?

Standing on stage, surrounded by some of the best and funniest and most talented people I know, when those opening chords sound I feel a sense of pride so overwhelming that it catches me off guard at every single rehearsal.

Joseph is, by far and away, the best and most wonderful show I have ever done. It's been a nineteen month rollercoaster from Canaan to Egypt and back, and I - along with the rest of the cast, I'm sure - can't quite get my head around the fact that it's almost over.

All that's left to do now is share the experience with an audience...

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Make sure you're a member of our audience this weekend by booking your tickets! Either phone 01983 823884 between 10am and 2pm or visit the Medina Theatre website to book online at any time!

A Princess' Perspective...

I don't usually write these blogs from my own perspective, but this year I thought it would be nice to take a look at a character type that may not bring the biggest laughs or cheers, but is a crucial and beloved part of pantomime nonetheless: the Princess.

I first stepped onto Medina Theatre stage for the first time in Prince Crispian and the Magic Sword, dressed as a snowflake, in February 1995. Far from being frightened, I was so desperate to get on stage that I pushed the terrified snowflake ahead of me on, just so I could  get out in front of an audience that little bit faster.

Not much has changed.

In the twenty-one years I've been with The Wight Strollers, I've been lucky enough to have some wonderful experiences as a dancer, a chorus member and as a principal.

With every year, I've loved it a little more, and anyone who knows me will know how much I love the company, and the people in it.

I always struggle to put into words just how I feel about them - 'family' is about as close as I can get. No matter how long the day, there's always a smile to be found in the company of these wonderful people.

This year, I am thrilled to be able to step into the role of principal girl, and I have to confess...there is nothing quite like the feeling of shaking off reality and becoming a princess for a few hours a week!

Alright, so it's true that princesses aren't always the brightest characters on the bill...

They ignore all the best audience advice, engaging in many a fairytale faux-pas, from swapping magic lamps to eating poison apples: memorably, when playing Snow White, I had a little girl shout 'Don't eat the apple, Snow White - you'll die!' from the audience, but the script, sadly, forbade me to listen.

They usually don't think beyond first impressions: Princess Mandarin in this year's Aladdin, for example, conveniently runs into a peddler man exchanging 'new lamps for old', mere moments after Aladdin has handed her a battered, old lamp and told her to guard it with her life...

And they often find themselves in mortal danger: so far, in my panto princess experience, I've eaten two poisoned apples, pricked my finger once, almost been eaten by a wolf and been captured twice. Not a great track record.

But those are minor details. I, for one, adore every second I spend in a princess dress!

Over the years, though, I've come to realise that there is so much more to playing a princess than just a pretty dress (although that is a major perk!) - so, for a bit of fun, I've come up with five top tips for any Panto Princess in the making...

1. Know what makes your princess tick...
Princess Mandarin is in equal parts sweet and feisty, and she will settle for nothing less than what her heart wants...and that's something to be admired, I think. It makes her easy to love, and even easier to play.

2. Embrace the Princess Persona
Most of the audience will associate the word 'princess' with the Disney Princess franchise...and with those expectations come faraway looks, wishful sighs and plenty of flowery hand gestures!

Just try not to smack the other cast members with your hair, hands or billowy sleeves while you're twirling and prancing around from dawn 'til dusk!

3. Get the Look!
When you play a princess, you just know that dozens of little girls in the audience, who have all come dressed up, are waiting to see what you look like...

Your make-up has to be perfect, your dress has to be pristine and you have to be prepared for your feet to suffer in many an itchy, glittery shoe. Sometimes it hurts, but it's so worth it!

4. Find the right prince!
The perfect panto prince depends on the panto - he can be anything from charming gentleman to cheeky chappy, as long as he's believable from the first moment you meet to the final curtain call.

I've been so incredibly lucky to have played opposite some super talented actors and some of my very best friends over the years, and often they wind up being one in the same. This year is no exception, though don't tell him I said it!

5. Wishes, Dreams and Happy Endings
For me, the most important part of being a princess is what you represent. In a world where children are encouraged too soon, at least in my opinion, to abandon the fairytale role models of their childhood, it's a thrill to be able to inject a little magic into their imaginations as a real, live person.

After all, in PantoLand, the princesses aren't animated, airbrushed or photo-shopped; they are real girls, with real lives and real bodies. Real people who have probably once sat in an auditorium wishing they could wear a Snow White dress, or sing like Sleeping Beauty or dance like Cinderella.

For all those children that sit and watch you get your happy ending, whatever the trials that come before, you are a reminder that happy endings exist and dreams can come true. And that you can grow up, at least in some way, to be a princess.

And sometimes, for a little girl doubting herself, that little glimmer of hope can go a long way...

See Princess Mandarin in action at Medina Theatre this half term by booking tickets for The Wight Strollers' fun-filled family pantomime, 'Aladdin'. Visit the Medina Theatre website or phone 01983 823884 to book your tickets today!