Leading Lady - An Interview With Sarah Scotcher

As one of our founding members, Sarah Scotcher is undeniably passionate about the Wight Strollers. In fact, most of her time is spent writing the script, directing rehearsals, casting, producing shows, making lighting plots… the list goes on. 

Sarah is a true Island theatre legend, playing glamorous princesses, wicked baddies, mullet-wearing Aussies, grumpy dwarfs, and even a tree! 

I’ve chatted with Sarah to find out a bit more about her thoughts and feelings, on and off stage… 

Let’s start simple - how did you first get into The Wight Strollers?

I was very badly bullied at the age of 8, so my Mum took me to see one of Nesta Meech’s pantomimes, as a treat. I turned to her and said “I want to do this.”
I went along, and absolutely loved it. As time went on, I found that I was very natural on the stage and, as they say, the rest is history. 

In 2008, you took on the mammoth role of directing. How did you feel going into it?

I ended up making a few changes, which weren’t necessarily popular with everyone, and to start with there was some uncertainty. But I felt the company needed it - we needed to start growing. And the show that came out of it was excellent! It’s slightly bittersweet, because my Mum died in the January… which made it tricky for myself, Emily and Ed. But we performed. And it was a brilliant show. 

I do know the answer to this question… but I’m going to ask it anyway!! What was the most difficult show for you?

It was, without a doubt, Priscilla. But… it was my idea to do it! I had to pitch it to the committee, and of course they thought I knew what I was doing. I genuinely had no idea how big a project it was going to be. And how much work it would be, particularly for my friend Gerry (Tulloch). It was huge for costumes. I will never forgive myself for that! 

And what about your proudest moments?

Joseph, for sure. It was the first time the Strollers had done a musical. I was just so immensely proud of it. I have never been involved in a show that had quite so much of a feel-good factor for it. Off stage, on stage, backstage. It was purely joyful. 

Another one has to be the time I got my first ‘real’ laughs. I was playing Willie, in Robin Hood and the Babes in the Wood (1999). 

I mentioned earlier that you write the scripts - why did you start to do that?

I started doing it originally with Mike Sutcliffe because I was simply bored of most pantomime scripts. Of course, it saves money too, which means more for our charities! It eventually evolved to Emily and I writing them, which is just lovely. We’re in the same location, which is easier, and she brings different things to the table. It comes out pretty good! 

Another hard question - but what do you love about performing? 

Oh gosh… I’m stumped for words! I suppose it’s mostly the camaraderie. I don’t know, I just know that I love it. I just know that it makes me feel uplifted - it's a bit like a drug, I suppose. Because I’m always full of self doubt, putting it to the audience for the first time is always hard. But the reaction afterwards is pure happiness. 

Why is the Strollers so important for young people?

Just seeing my own children going through it and becoming confident people with all age groups is testament to the Strollers. It sounds corny, and I know others have said it, but it’s all about family. When The Wight Strollers first formed, it was all about family and it still is now. It’s a huge confidence booster for kids. It's rare for a company to give all of their junior members as many chances as we do. It’s because we love it. 

Do you have any advice for young people in theatre? 

No-one is bigger than the whole show. Whether you are sweeping the stage or top of the bill, everyone is important. And I truly believe that. Also, never stop learning. 

Brilliant advice. Lastly, if you can tell me, why is the Strollers so special?

I absolutely adore it. I love the people, I love the values behind it, I love that I can be with friends doing what I love. There’s a whole load of love! That’s it in a nutshell. I’m passionate about it. 

From myself, and the company, a huge thank you for your dedication, passion and talents to the Wight Strollers. We really wouldn’t be where we are without you. 

You really are the woman that makes the Wight Strollers tagline true - ‘Professional quality at amateur prices’! Thank you. 

Meet Our Music Maestro - An Interview With Kim Ball

Kim Ball is a well-known name across Island Theatre groups, performing in plays and musicals, playing in orchestras, conducting orchestras and being musical director for shows. 

Kim is also a highly-valued member of the Wight Strollers, who makes arrangements specially for us - some have no sheet music and are sometimes from a song found on YouTube, but wherever the song is from each arrangement is as gorgeous as the last!  Meet our Music Maestro! 

Starting simply - How did you first get into the Wight Strollers?

I was MDing (musical director-ing!) the musical Oliver! for the Island Savoyards, and Emily and Sarah (Scotcher) were in it. I think they had sized me up and eventually asked me to MD for Joseph and the Amazing Technicolour Dreamcoat for the Strollers. And that, as they say, is where it all starts!

And how do you find MDing pantomimes instead of musicals?

It's a completely different type of challenge, because it means finding the music and making arrangements. Usually if Emily is around, it involves doing it from a video, which is a huge challenge, but one I definitely enjoy!

Do you have a favourite arrangement or song we've done that you always go back to?

Gosh, that is just so hard! Off the top of my head, I genuinely enjoy villainous songs like the song 'Evil Like Me' (Jack and the Beanstalk 2017). I've got a soft spot for 'Happy', used for the opening of the same show. Primarily because it was the first one I taught to the Strollers and I still love it! 

Obviously I loved playing 'Spell on You' for Sleeping Beauty (2020) and I enjoyed the performance. That was one where I got to watch the dance too, so it was a win-win!

What about a favourite moment off-stage?

'I do have one...and it relates to my daughter, Becky! It was the first dress rehearsal for Priscilla: Queen of the Desert which subsequently was the first time she ever performed 'Pop Muzik', as she stepped in last minute! The band had struck up and Jamie (Woodford) decided to do it at 3 times the normal speed...! Becky came running off, poked her head round the curtain and said "what was that?!" - It's a moment I remember fondly.

Now turning the tables to difficult shows! - have you found any show you've ever done challenging?

My mind immediately goes back to one of the very first shows I did as a student. It was Kleine Mahogany and the music for that is immensely challenging. More recently, as I've gathered experience, all my memories as MD have been nice rather than challenging!

Let's talk about musicals in the future.. - is there a dream musical that you'd love to MD?

Hmm.. Priscilla was the one I've always wanted to do and I was lucky to do that with the Strollers. I also have to say, I'd love to MD Chicago, because I love the show so much!

Talking from personal experience, why is music so important?

Oh wow. Music is a language that speaks to everybody. It doesn't matter what language you speak, you can all enjoy listening to music and you can take something from it. The sharing of emotion without the need for words is so important. For me, music is just in my blood. 

Beautifully put. As a talented musician, you must have some inspirations - can you tell me some of yours? 

This is a funny one. If I go back and look at where it first came from for me, there are two people that come to mind. One of them was a friend called Jacqueline, who played the piano prodigiously. She used to sit at my house, playing our piano and I was always so impressed and so wanted to be like her. 

The other was my Grandmother, Nanny Maud, who played the piano for silent movies. She always played at family Christmases whilst singing Gilbert and Sullivan and music was always there for her. She always had life in her and the music genuinely came through my bones. She was just such an inspiration.

And to finish, why is Strollers so special?

Oh dear...wow. I'll try to put that in a sentence! I think because we know why we're there, to raise money for Island Charities, and to do that as well as we possibly can. The combination of having the drive to raise money as well as the desire to do our very best is just beautiful. I think it's the people, I really do.

Kim, you've arranged some beautiful pieces of music, as well as creating some unforgettable harmonies, and we could not be more grateful to you for that, and for being such a wonderful presence. Thank-you for everything, and for being a part of our family!

Dancing Queen! - An Interview With Cheryl Rudd

Training in ballet, tap and modern, playing flute in the IW Youth Band, dancing semi-professionally and performing in pantos since she was 6, Cheryl Rudd is no stranger to the wonderful world of theatre and choreography! After joining The Wight Strollers when her daughter Izzi did in 2006, Cheryl went on to choreograph her first Strollers show in 2011 (Cinderella) and has choreographed every show since...

Starting with the big questions! 

Oh brilliant..!

2011 was when you first choreographed a Wight Strollers show - how did you feel going into it?

Scared! Terrified! Strollers always had such a good name and had always put on such a good pantomime. I had all these lovely children just looking at me, expecting me to tell them what to do...it was completely nerve -wracking. But I wouldn't change it for the world now!

What was your proudest moment as choreographer?

My proudest moment, without a doubt, is seeing the girls that I started my choreography journey with, when they were 6 years old, becoming senior girls within the company. 
We have a core of girls who have joined us at a young age, and it's phenomenal for me to see them do the full circle.


How about your favourite show that we've ever done?

Oh...wow. My favourite show would most probably be Cinderella 2018. My girl had her first principal role as Cinderella and it was such a special show.


Out of all the routines you've choreographed, do you have a favourite one?

'Somewhere Only We Know' from Aladdin (2015) was just so beautiful because of Emily (Scotcher)'s amazing vocal ability and the girls who danced were such a high technical standard, it was absolutely perfect. Another favourite has to be 'This is Me' from Robin Hood (2019), although my daughter choreographed it - it was phenomenal to watch. 
Again, I can't take full credit for choreography for this one, it was a team effort, but another favourite is 'I Put A Spell on You' from Sleeping Beauty (2020). Not only was it a song and a dance but it also portrayed one of the most important moments from Sleeping Beauty and it was just so breathtaking.

What about difficult routines?

Definitely skeletons! It was a routine from Cinderella in 2011, and we used the Addams Family theme tune...that music will haunt me forever!

As someone who danced from a young age, and having a daughter who did the same, why is dance so important for young people?

It teaches them a discipline that they don't necessarily learn at school or at home, it creates great friendships and ultimately it keeps the body fit through an enjoyment. It creates fun, laughter and achievement. As I always say, if you can walk you can dance!

The ultimate question - why do you love the Strollers so much?

If I knew what made Strollers so special and bottled it, I'd make a fortune. Friendship. Family. We're there for everybody.. I don't know. I just can't answer that! All I know is that it's special. And that is more than good enough for me!

Thank you so much for your wonderful choreography and for giving a great interview. We really are lucky to have you!

Head of the 'Men In Black' - Our Stage Manager, Rich Hole

As part of the 'Men in Black', stage manager Rich Hole takes on the mammoth role of overseeing the construction and building of the set, as well as managing all aspects of the scenery plot. 

Sharing the stage with his wife Kelly, and daughters Maddison and Miley, we catch up with him on the fun and terror of making everything work behind the scenes..

Firstly, how did you join the Wight Strollers?

"When Maddison, my daughter, joined during Joseph (2016) as part of the children's choir, I got dragged in backstage! It was during that time that I was shoved over stage right with Graham (Warren) and we had the enviable task of trying to work out when to throw this goat on stage! Neither of us really had a clue.. but here we are!"

You then joined us as stage manager, how did you feel when you were approached?

"My first year of stage managing was Robin Hood (2019), prior to that I had done a few shows backstage but then suddenly I fell into stage manager! It was a bit of a weird feeling. Although, Sarah  (Scotcher) had asked me, all of the guys backstage had sort of voted me in...I was honoured. Privileged really, because it's a huge responsibility under the name of Strollers. It's a big team effort."

Brilliant! Moving on, I can imagine how tough it is, working backstage and enabling swift scene  changes...what makes it more enjoyable?

"It is definitely the blokes backstage, and having a laugh. If they weren't there it would be nowhere near as fun. Mind you, I do love a bit of chaos and pressure, that's where I thrive so it's the type of environment I would enjoy anyway. We have a good laugh backstage, definitely."

Switching focus - you've obviously got your wife and daughters on stage, what has been your proudest moment?

"Seeing Miley in her first principal role in Robin Hood, seeing Kelly in hers in Sleeping Beauty and then seeing Maddison really blossom in the dance troupe, really is it for me. Robin Hood has to be my proudest moment, not just because of my girls but because of the backstage crew. It was my first year stage managing and they made it so much easier for me."

What about funniest moment?

'The final show is always funny, when we do the pranks. I always go back to Robin Hood, when I said it would be rather amusing to put a poo bag in Sarah's tree, as she was the Mighty Oak. We were just going to use a brownie, but Tony (Scotcher), her husband, actually got one of Oscar, her dog's, poo bags with actual dog poo in it. If you watch back the DVD, it makes the final cut!! Sarah's reaction was priceless and that will forever be a favourite moment!!"

I really didn't know that happened! Poor Sarah.. let's talk about something else! 

"I promise, it was funny!!"

I'm sure! So.. what makes sharing the stage with your family so special?

"It's just so nice that we can all be involved with it. The fact that one has gone into it and now we're all into it, is brilliant. It's a real family thing that we can all talk about and share a love of, it's great."

Lastly, and quite possibly the most important question - is there any possibility you'd go on stage?

"Sarah had actually asked if I'd go on stage for Priscilla, but I did turn that down. I said I've got no rhythm, so I can't dance, and I can sing of a fashion but being on stage? Hmm...we'll see!"

I'll take that as a yes! Thank you Rich, for giving up countless hours at the scenery store and making sure that our shows are so professional and seamless. We, quite literally, couldn't do it without you! 

Notes from the Narrator...

Yesterday we had our band call, and last night I was listening to the recordings, over and over again. And then I had to stop and take a moment to breathe. This is really happening.

It's been a long time since I wrote a blog post from my own, personal point of view as a cast member - it hasn't happened since 2015, in fact, when we did Aladdin. 

But today, for this particular show, I'm making an exception.

Joseph has been one of my favourite musicals since I was eight years old and performed it at Brighstone Primary School. Back then, I was a sheaf of corn, a member of Potiphar's household and one of the Narrator's backing singers. I remember it so vividly, right down to the dance moves - in fact, I could probably still perform those routines now!

And I remember watching the Narrator and memorising every single one of their lines, desperately hoping that one day I'd have the chance to play the role.

Who'd have thought that a dream that started when I was eight years old would come to fruition eighteen years later?

I certainly didn't!

But then again, isn't Joseph all about dreams coming true?

So who is the Narrator? What is she? Why does she exist?

The Narrator is a strange part, and a challenging one, largely because she doesn't leave the stage for the duration of the show and there are few numbers in which she doesn't sing - four, to be exact.

She's removed from the story, but at the same time is very much a part of it, interacting with every single character and weaving her way through the plot, acting as a story-teller, instigator, adviser, friend and conscience all in one.

She introduces, she engineers, she antagonises, she influences - in short, she doesn't stop!

It's story-telling with a difference, and I love it. There's something to be said for telling a story through song, and what a privilege it is to be able to tell such a wonderful story as Joseph.

The Narrator's songs aren't the big hits, they're not the iconic numbers of Joseph or the globe-trotting songs of the Brothers...

In fact, with the exception of  'Prologue' and 'Pharaoh Story', she doesn't really have songs at all!

Hers are the little riffs you hum as you leave the theatre; the single lines you can't get out of your head for days on end, the split-second moments you remember even if you can't recall what came before or after!

She's there from the start of Joseph's journey to the end of it...which is really rather apt.

The Joseph journey, for me, began in January 2015, when I began looking into the possibility of performing Joseph and the Amazing Technicolor Dreamcoat - now, nineteen months on and less than a week from curtain up, I can hardly believe it's really happening.

Some days, I legitimately have to pinch myself. And if you glance at me during the very first rendition of 'Any Dream Will Do', you will see me welling up every time, without fail.

Because this, to me, is perfect.

How can it not be?

Standing on stage, surrounded by some of the best and funniest and most talented people I know, when those opening chords sound I feel a sense of pride so overwhelming that it catches me off guard at every single rehearsal.

Joseph is, by far and away, the best and most wonderful show I have ever done. It's been a nineteen month rollercoaster from Canaan to Egypt and back, and I - along with the rest of the cast, I'm sure - can't quite get my head around the fact that it's almost over.

All that's left to do now is share the experience with an audience...

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Make sure you're a member of our audience this weekend by booking your tickets! Either phone 01983 823884 between 10am and 2pm or visit the Medina Theatre website to book online at any time!

He's Just A Dreamer...

The story of Joseph and the Amazing Technicolor Dreamcoat is well-known and much loved among children and adults alike.

Taken from the book of Genesis, the story of Joseph the dreamer and his rise to fame and fortune as the Pharaoh's right-hand man is fast-paced and exciting. Joseph, one of twelve brothers, is the favourite son of Jacob.

Playing everyone's favourite dreamer is Nick Weightman, who joined the company in 2014, playing the title role in our February 2015 pantomime, Aladdin. In our 2016 panto - Snow White and the Seven Dwarfs - he doubled as Merlin of the Mirror and Slurp the Henchman. But this is a different type of role entirely...

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Nick, you've had some brilliant parts in your short time with us, but Joseph must surely take the cake! How did you feel when you were asked to play this iconic role?

Privileged. Honoured. It was such a long time ago now that I was asked, so thinking about it now is actually really weird!

How have the rehearsals been so far?

Incredible - so much fun. All the brothers have gelled so nicely, and everyone has really pulled together as a team. It's been absolutely brilliant.

So come on, you must have a favourite moment in the show. What is it?

My favourite moment...that's tricky, there are so many of them!

Well...I suppose we can let you have a top two - we're feeling generous!

I can have two? Okay...probably putting on my coat for the first time, I do like that bit. And I love shouting at the brothers, when they decide to leave [Egypt] and I get to just shout 'no!' and stop them in their tracks. I love that bit.

Shouting at your brothers? That doesn't sound very brotherly!

They threw me in a pit!

Fair point! They do deserve it, I suppose! I know they throw you in a pit, sell you into slavery and are genuinely rather mean to you, but if you had to choose a favourite brother, who would it be?

Probably Zebulun. He is quite the character - he's a bit of a joker, but in a really good, funny way.

He's certainly got a cracking sense of humour! And a brilliant voice, too! But then again, so have you - your 'Close Every Door' made a few people cry (in a good way!) at the last rehearsal. What's your favourite song in the show?

To sing or overall?

Let's roll with both.

My favourite song in the whole show is 'Potiphar' - I love the Charleston feel of it. But my favourite song to sing is probably the finale version of 'Any Dream Will Do' with all the harmonies and the 'Give me my coloured coat' bit - I love singing that."

Good choices! Speaking of the coat, what was it like seeing that for the first time?

Amazing. It's just incredible.


There are 29 colours in that coat - which one is your favourite?

It genuinely is azure!

I thought you were only saying that to give the kids a hand in the 'Colour Challenge' at our workshops!

No, I really like it! And orange. I like orange.

Nice, bright colours. So, Nick, why should people buy tickets to see Joseph and the Amazing Technicolor Dreamcoat?

It's very, very rare to see this show on this scale done on the Island, let alone by an amateur company, and the standard is so high. And, without sounding too big-headed, I'm also really looking forward to people seeing me as the lead in a musical - this is my big break!

That's sweet! And finally, what are you most looking forward to about being in the theatre?

Being able to see the set in its proper place, and seeing how high up that top podium is going to be looking out over the audience - it's going to be insane.

It certainly is - as someone else who runs up to that podium, I can second that! Thanks so much for chatting, Nick - and the very best of luck for the show. You really are the perfect Joseph!

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To see the wonderful Nick Weightman in action as Joseph, all you need to do is phone 01983 823884 or visit the Medina Theatre website to book your tickets for July 9th and 10th.

Honest As Coconuts: Banter With Benjamin

Ches Checkley-Hill joined The Wight Strollers in September 2014 as part of the cast for our February 2015 production of Aladdin. He has since gone from strength to strength in our chorus and has this year taken his first principal role, as Benjamin in Joseph and the Amazing Technicolor Dreamcoat.

We thought we'd have a catch-up with the lovely Ches to see how he's been finding it! So, Ches, how did it feel to be asked to play Benjamin?

Fantastic! It's genuinely one of the best opportunities of my life.

And this is your first part with the Strollers, isn't it?

It is!

So what was your first show with the company?

Aladdin in 2015 - it was my first pantomime and I got to dress up as a woman, so it was a pretty good first show with the company!

Only since 2015? It feels like you've been with us a lot longer, I have to say! What's your favourite thing about being in The Wight Strollers?

Just everything. I can't pinpoint what's so great about it - just everything. I love it.

That's always nice to hear! And what about Joseph and the Amazing Technicolor Dreamcoat, what's your favourite thing about that?

Just being on the stage, singing and dancing, and getting to be a part of such an incredible show with such amazing people.

And if you had to choose a favourite song, what would it be?

The Benjamin Calypso! Obviously!

Obviously! Alright then, off the back of that, who's your favourite brother?

Judah. Definitely. Mostly because he begs for my life - that's quite a good way of becoming someone's favourite brother!



It most certainly is - we won't spoil the story by letting everyone know if he succeeds! Of course, Judah's just one of Benjamin's eleven brothers - what's it been like being one of twelve siblings?

It's just like one big family, to be honest. We might as well be brothers, we get along really well. It's great - they're all fantastic and it's wonderful to see it all coming together with everyone now.

You also stepped in a few weeks ago to double up as the Butler, didn't you? How are you finding that?

I like it! It's definitely typecast, because he's a bit of a camp character, so you know, I'm loving it - it's definitely been fun to double up.

We're less than a week from showtime now, so what are you most looking forward to about getting into the theatre?

There's so many things! Wearing all the costumes, putting on all the make-up, getting into character for an audience - doing all of that is fantastic.

It certainly gets the adrenaline pumping! Why do you think people should buy a ticket to see the show?

Because it's an amazing show! It's so fantastic; from the sets to the dancing to the acting to the costumes and everything, it's all fantastic. Everyone needs to see it.

And, to finish, a question we'll be asking all interviewed cast members: what's your favourite colour?

Pink.

That's a favourite colour you share with your favourite brother, I think! Thanks so much for chatting, Ches - and the very best of luck in your first principal role with The Wight Strollers. I think I speak for everyone when I say you're going to absolutely smash it!

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To see Ches in action as Benjamin, book your tickets for Joseph at Medina Theatre on July 9th and 10th 2016 by visiting www.medinatheatre.co.uk or by phoning 01983 823884.

Wonderful Workshops!

Over the last six weeks, Team Joseph have created a sub-team: Team Workshop. This particular team of people, led by yours truly, have been visiting schools and community groups around the Island delivering free workshops to children to help them gain confidence, try out singing and dancing and have some fun with the story of Joseph and the Amazing Technicolor Dreamcoat.

And the feedback has been wonderful.

The workshops contained a mixture of games, vocal warm-up exercises, singing and dancing, with each group learning two songs from the show: Any Dream Will Do and Benjamin Calypso. 

Each group also took home our 'Design A Dreamcoat' worksheet, and all those returned by the deadline will be displayed at Medina Theatre during the run.

We thought it would be nice to share just some of the feedback with you, and give Team Workshop some recognition for all their hard work.

"It was wonderful of the cast members to give us a day of [their] time and provide the children with such a great experience...the children loved it and they all thought you guys were great."
- Carisbrooke C of E Primary School

"It was great to have you all in...it's really humbling to know there are folks out there prepared to give up their time for children and to share their talent and passion for the arts with them."
- Haylands Primary School

"Thank-you Team Joseph for a brilliant workshop...the children were really inspired. Your 'Fat Camel' galloping game has caught on with Year 6!"
- Brighstone C of E Primary School


Thank-you so much to each and every member of Team Workshop for all their help, and to all the schools and community groups we visited for being so warm and welcoming, and to all the children who participated - what a credit all of them were to themselves, their parents, their schools and groups.

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To see Team Workshop (and their dozens of fellow cast members!) in action, all you need to do is phone 01983 823884 or visit the Medina Theatre website to book your tickets  - we'll see you in July!

Meet The Family...

We're officially less than a month away from the first performance of Joseph and the Amazing Technicolor Dreamcoat in association with St. Peter's Church, Shorwell, and the cast couldn't be more excited!

And having made a further £178 at our Beetle Drive, and with a pub quiz coming up at the end of this month, we're well on our way to being able to make yet another sizeable donation to Island good causes following the production.

Rehearsals, of course, are hotting up, and what a few weeks we've had!


There's laughs a-plenty to be had in this production, with bananas, goats, pom-poms, berets and even a camel all making an appearance.

So what better time to introduce you to some of the cast, starting with these lovely lads: Jacob and Sons.

Jacob was, as the song goes, the founder of a whole new nation, and as such he had twelve sones: Reuben, Simeon, Levi, Napthali, Isachaar, Asher, Dan, Zebulun, Gad, Judah, Benjamin and, of course, Joseph.

Joe's brothers aren't his biggest fans. In fact, his dreams irritate them no end; so when Joseph is given the titular dreamcoat, they decide to do away with him by throwing him in a pit.

But when a passing group of Ishmaelites happens upon their deed, their mercenary streak wins through and they haul Joseph out of the pit to sell him into slavery.

Brotherly love, indeed.

They're not all bad, though, and the talented bunch who portray them on stage are a delight, reducing the rest of the cast (and each other!) to fits of giggles on a regular basis.

The Brothers also get some of the production's most memorable numbers, including One More Angel In Heaven, Those Canaan Days and the Benjamin Calypso.

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Want to find out if The Brothers get their comeuppance for attempting fratricide? Make sure you book to see them in action this July - they're quite the team! - and keep an eye on the blog for all the latest Strollers news.

Snow White and the Seven Dwarfs: The Feedback, Round 2!

Well, what a second weekend we had! Completely sold out and the positive feedback has once more been flooding in since this time last week - so we thought we'd share a few more of the wonderful things people have been saying about our production of Snow White and the Seven Dwarfs.

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"It was the first time we'd seen a performance by you all and it was truly unique. My son hasn't stopped talking about it, [we] can't wait for July!"
- Laura Smith

"Fantastic show - well done."
- Susan Coquio

"Thank-you so much for a fantastic show tonight, we loved it."
- Caroline B Ritchie

"Thank-you so much to cast and crew for another brilliant performance last night! It was hilarious and entertaining as always, and even the two 14-year-olds that I had with me loved it and yelled and clapped along with the rest of us. We absolutely love the Strollers shows, we always leave with a big grin and dried tears of laughter on our cheeks. We will be back for next year's panto and we will see you all in July for Joseph."
- Lou Hewison

"A great show again, I came on Saturday afternoon. Def[initely] didn't disappoint, [it] was great. Loved it and so did my nieces, who are still talking about it now - great job, guys!"
- Samantha Stean

"Thank-you for our magical afternoon from 8th Ryde Brownies, we had a fantastic time and hope you like our photos - see you next year!"
- Caroline Seaward

"Another bloody amazing production. They just get better and better. Love the adult humour. Nice to see some new faces, which means it is still going to be the best panto on the Island for a good few years. What can you say about Sarah's performance apart from 'brilliant as usual!' - can't wait to see Joseph in July. Well done to you all!"
- Lynda Waddams

"Every year, me and my fiance come down to support The Wight Strollers. Having taken part in many shows before moving to London, I must say I truly miss it. A cheeky little shout out to my mummy, Karen Cassford, who somehow manages to work full time, organise, design and create endless number of incredible costumes. And Cheryl Rudd, absolutely incredible choreography! It is just such a pleasure to watch all the beautiful dancers as well - watching them grow into lovely young ladies! An incredible cast and an incredible director - well done, Wight Strollers! Standing ovation!"
- Hannah Cassford

"Thank-you for a wonderful pantomime!"
- Sandra Ma Davies

"The Wight Strollers put on an awesome performance this evening...laughed so much! Well done, all! Very well done!"
- Julie Anne Harris

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We'd also like to take this opportunity to thank everyone who supported us - whether that was by liking one of our Facebook posts, sharing our event, putting up a poster or, of course, coming to the show itself - we couldn't have done this without every single one of you!

We will be announcing our charity totals in April, so watch this space!

In the meantime, if you enjoyed Snow White - or if you missed out and want another chance to see us in action - then visit the Medina Theatre website and book tickets for Joseph - they're already selling fast!

As always, please visit our Facebook, Twitter and Instagram pages to keep up to date on the everyday happenings of The Wight Strollers.